Scope: Interior artist within the published and officially announced BRZRKR record.
Salvador Larroca draws BRZRKR: A Faceful of Bullets, translating the franchise’s physical violence into an American frontier setting of firearms, pursuit, land conflict, and moral choice.
BRZRKR record
The BOOM! printing announcement names Larroca as the story’s artist and credits his new cover for the second printing, with Lee Loughridge on color.
Why it matters
The special depends on distinguishing period violence from the modern black-operations imagery of the numbered series. Larroca’s work gives B’s durability a different social context without changing the character’s underlying burden.
BRZRKR changes creative teams as it moves from the twelve-issue series into historical specials, prose, and announced screen work. Credit therefore belongs to a particular publication and role. A contribution to one branch does not imply work on every issue, and cover work remains distinct from interior storytelling.
Credits are most useful when they explain what changed on the finished work. Writing determines structure and language; interior art determines bodies, spaces, and visual sequence; color establishes atmosphere and separation; lettering controls the visible sound and pace of words; design and covers establish the publication’s outward identity. Each role contributes authorship without erasing the others.
Confirmed limits
Interior art, first-print cover work, and second-print cover work are separate credit objects even when one artist contributes to more than one.
Unconfirmed dates, credits, contents, formats, or story connections remain open. Later official material can extend the record, but it should not be anticipated as fact.